drafty mountain hut

always at home, forever on the way

Category: quotes

Imagine

by tendo zenji

We’re cast into this human form, and it’s such happiness. This human form knows change, but the ten thousand things are utterly boundless. Who could calculate the joys they promise?

And so the sage wanders where nothing is hidden and everything is preserved. The sage calls dying young a blessing and living long a blessing. We might make such person our teacher, but there’s something the ten thousand things belong to, something all change depends upon–imagine making that your teacher!

Chuang Tzu translated by David Hinton in Chuang Tzu: The Inner Chapters

The Buddha on Solitude

by tendo zenji

Ānanda, a monk does not shine if he delights in company, enjoys company, is committed to delighting in company; if he delights in a group, enjoys a group, rejoices in a group. Indeed, Ānanda, it is impossible that a monk who delights in company, enjoys company, is committed to delighting in company; who delights in a group, enjoys a group, rejoices in a group, will obtain at will—without difficulty, without trouble—the pleasure of renunciation, the pleasure of seclusion, the pleasure of peace, the pleasure of self-awakening. But it is possible that a monk who lives alone, withdrawn from the group, can expect to obtain at will—without difficulty, without trouble—the pleasure of renunciation, the pleasure of seclusion, the pleasure of peace, the pleasure of self-awakening.

Shakyamuni Buddha from The Greater Discourse on Emptiness (Mahā Suññata Sutta)

on teachers

by tendo zenji

“If you follow the realized mind you’ve happened into, making it your teacher, how could you be without a teacher? You don’t need to understand the realm of change: when mind turns to itself, you’ve found your teacher. Even a numbskull has mind for a teacher. Not to realize yourself in mind, and to insist on yes this and no that—it’s like leaving for Yueh when you’ve already arrived there. It’s like believing that what isn’t is. What isn’t is—even that great sage-emperor Yu couldn’t understand such things, so how could someone like me?”

Chuang Tzu, translated by David Hinton in Chuang Tzu: The Inner Chapters

Autumn Kessei 2017 week 3

by tendo zenji

Instructions for the Tenzo

I

 Since ancient times this position [tenzo] has been held by accomplished monks who have way-seeking mind, or by senior disciples with an aspiration for enlightenment.  This is so because the position requires wholehearted practice. Those without way-seeking mind will not have good results, in spite of their best efforts.  Regulations for Zen Monasteries states, “Use your way-seeking mind carefully to vary the menus from time to time, and offer the great assembly ease and comfort.”
Dōgen zenji, translated by Kazuaki Tanahashi in Moon in a Dewdrop, p. 53

John Muir Day

by tendo zenji

“The clearest way into the Universe is through a forest wilderness.”

-John Muir

winter

by tendo zenji

“The preparation of a monastery for winter may seem unremarkable. Everything that needs to be attended to is done, yet no trace of effort is apparent.  This expresses the spirit of my teacher, Gempo Yamamoto Roshi, who spent most of his time doing zazen, and who was often completely absorbed in studying the Diamond Sutra. He would say that you are not yet mature if you are seen as great or wise by others. It is not good to be absentminded, but you should be unpretentious while being aware of all necessary matters. This is important!”

Sōen Nakagawa, Endless Vow: The Zen Path of Soen Nakagawa, p. 116

this breath

by layman k

“Ten thousand things, all in this breath…” why are people in this world so busy? just for this one breath. They say, “busy, busy, mine mine…”, busy a whole lifetime for “Me”. When this breath is cut off you let go of the whole universe. Why not let go from the start?

from Amongst White Clouds
(which you can get on DVDor stream on YouTube)

One of the pillars upon which civilization is built

by layman k

The Home Garden


Inside the gate there is a footpath, and the footpath must be winding. At the turn of the footpath there is an outdoor screen, and the screen must be small. Behind the screen there is a terrace, and the terrace must be level. On the banks of the terrace there are flowers, and the flowers must be bright-colored. Beyond the terrace there is a wall and the wall must be low. By the side of the wall is a pine tree, and the pine tree must be old.  At the foot of the pine there are rocks, and the rocks must be quaint.  Over the rocks there is a pavilion, and the pavilion must be simple. Beyond the pavilion are bamboos, and the bamboos must be sparse. At the end of the bamboos there is a house, and the house must be secluded. By the side of the house is a road, and the road must branch off.  Where several branches come together is a bridge, and the bridge must be tantalizing to cross.  At the end of the bridge there are trees, and the trees must be tall.  In the shade of the trees there is grass, and the grass must be green.  Above the grass plot is a ditch, and the ditch must be slender.  At the top of the ditch is a spring, and the spring must gurgle.  Above the spring there is a hill, and the hill must be undulating.  Below the hill is a hall, and the hall must be square.  At the corner of the hill there is a vegetable garden, and the garden must be big.  In the garden is a stork, and the stork must dance. The stork announces that there is a guest, and the guest must not be vulgar.  When the guest arrives he is offered wine, and the wine must not be declined.  At the drink the guest must get drunk, and the drunken guest must not want to go home.”

– Chen Chiju, quoted in Barry Hughart’s The Chronicles of Master Li and Number Ten Ox